Cyberpunk, as soon as a hi-tech image of the longer term, now feels passe. A brand new adaption of sci-fi novel The Peripheral offers a recent perspective on how tech might rework humanity, says Annalee Newitz
Technology
| Columnist
9 November 2022
Gary Carr and Chloe Grace Moretz in The Peripheral Sophie Mutevelian/Prime Video
I WAS watching the brand new sequence based mostly on William Gibson’s 2014 sci-fi novel The Peripheral once I had a kind of nerdy, late-night realisations: cyberpunk has turn out to be the retro-future, a imaginative and prescient of tomorrow that feels just like the previous. Even Gibson himself, who coined the time period “cyberspace”, has stopped writing cyberpunk, a subgenre dedicated to company dystopias centred on digital actuality and sentient AI. The Peripheral is a far cry from his Eighties novel Neuromancer, by which hackers “jack into” a digital metropolis. …