Maggie Gyllenhaal attends Netflix’s ‘The Lost Daughter’ premiere throughout the 59th New York Film Festival. Photo: Monica Schipper.
Universal, ever because it ditched the thought of a shared universe of up to date monster films following the field workplace flop of ‘The Mummy’ in 2017, has been discovering success letting distinct filmmakers put their stamp on basic creature titles.
We’ve had the likes of Leigh Whannel’s tackle gaslighting with ‘The Invisible Man’, and to a lesser diploma of money return, this 12 months’s ‘Renfield’, which was a enjoyable spin on poisonous relationships with Dracula because the dangerous boss. The firm may also contact on the vampire’s story with the long-gestating ‘The Last Voyage of the Demeter’, due in theaters subsequent week.
Then there are these nonetheless effervescent away within the lab, together with a ‘Wolfman’ film to star Ryan Gosling and to be directed by Derek Cianfrance, James Wan dealing with ‘Frankenstein’, ‘Eternals’ director Chloe Zhao’s ‘Dracula’ and extra.
Yet whereas there had been speak of a ‘Bride of Frankenstein’ redo from ‘Jurassic Park’ author David Koepp at Universal, different studios are additionally taking a crack on the concept, which is within the public area. A24, for instance, has a model in improvement starring Scarlett Johansson.
Netflix, nevertheless, is entrusting that story to Maggie Gyllenhaal.
“The monster demands a mate!”
76
1 hr 15 minApr nineteenth, 1935
What’s the story of the unique film?
(L to R) Elsa Lanchester and Boris Karloff in director James Whale’s ‘Bride of Frankenstein’ (1935). Photo courtesy of TCM.
In James Whale’s 1935 film, Dr. Frankenstein (Colin Clive), recovering from accidents sustained within the mob assault upon himself and his creation, falls underneath the management of his former mentor, Dr. Pretorius (Ernest Thesiger), who insists the now-chastened physician resume his experiments in creating new life. Meanwhile, the Monster (Boris Karloff) stays on the run from those that want to destroy him with out understanding that his intentions are usually good regardless of his lack of socialization and self-control.
It additionally options Elsa Lanchester within the twin function of Mary Shelley (who begins the movie telling the following iteration of her basic horror story) and the titular character, constructed by Frankenstein and showing in direction of the tip.
The sequel to 1931’s ‘Frankenstein’ was a success on the field workplace, incomes roughly $2 million, and drawing optimistic opinions.
Maggie Gyllenhaal’s model
(Left) Christian Bale selling ‘Amsterdam.’ (Center) Penelope Cruz in Sony Pictures Classic’s ‘Parallel Mothers.’ (Left) Peter Sarsgaard attends Netflix’s ‘The Lost Daughter’ premiere throughout the 59th New York Film. Photo: Monica Schipper.
Gyllenhaal, who greater than proved her directorial abilities with 2021’s Oscar-nominated ‘The Lost Daughter’, is seeking to put her personal stamp on the story.
How it’ll be up to date (or certainly, who wrote the script if Gyllenhaal herself isn’t pulling double obligation) are unknown for now, however World of Reel realized through Production Weekly that she has Christian Bale, Penelope Cruz and Peter Sarsgaard in line to play Dr. Frankenstein, the Bride and an unknown function (presumably the creature?) respectively.
The notion of Gyllenhaal bringing her perspective to the story is definitely a compelling one, and after the success of ‘The Lost Daughter’, we’re sure Netflix will give her the price range and scope to make one thing improbable.
Production Weekly mentions a deliberate early 2024 shoot for the film, although that can clearly rely on how and when the strikes work out.
Related Article: Christian Bale Talks Director David O. Russell’s ‘Amsterdam’
Maggie Gyllenhaal attends Netflix’s ‘The Lost Daughter’ premiere throughout the 59th New York Film Festival. Photo: Monica Schipper.
Other Movies Similar to ‘The Bride of Frankenstein:’
Buy Maggie Gyllenhaal Movies On Amazon
Source: www.moviefone.com