Adah Sharma: It is easy for an actor to transition if roles are well-written

Adah Sharma received to showcase her versatility as an artiste when she was seen portraying two contrasting avatars in her current initiatives. While The Kerala Story noticed her taking part in the position of a sufferer within the palms of a terrorist organisation, she turned an encounter specialist for internet present, Commando. “I got into Commando right after shooting The Kerala Story. From a victim to a saviour, I’m blessed that I got to play two extremely opposite roles in both these projects. In one, I’m scared of guns, and in the other, I’m using guns all the time,” she says.

Starting that 2023 has been a “fortunate year” thus far for her, Sharma credit the scriptwriters for enabling actors have a clean change between characters. “If roles are well written, it becomes a lot easier for an actor to transition into different roles. Also, I took out enough time between my demanding schedules during The Kerala Story, and worked on my skills for action-packed sequences in Commando,” says the actor, including, “Generally, I’m quite a fit person, but I underwent a lot of training and practice for my portions. The 10 seconds of action you see on screen take hours or even days to make them look seamless. I really enjoyed doing it.”

The internet present starring Prem Pariijaa because the male lead, takes ahead the Commando movie franchise that featured actor Vidyut Jammwal. As the audiences proceed to invest why he’s not part of the collection, Sharma reveals the makers needed to launch a brand new boy within the Commando franchise. “And I was the connecting factor between the film, and the web series. So, we just wanted to show that there is another Commando as well. Not that Vidyut isn’t there, but Prem came as an addition to the franchise as another Commando,” mentions the 31-year-old, calling OTT “the best space” to make such introductions.

While streaming continues to get pleasure from rising recognition, audiences are again in theatres as nicely, in big numbers. And Sharma is nicely conscious of the viewers’s preferences. “Nowadays, people just want to have an emotional connect with the film. If it’s a good film, people would watch it in theatres or on their phones and medium won’t really matter,” she emphasises, underlining the significance of a compelling narrative that resonates with viewers throughout platforms.