The personalities of MovieTok are usually not critics within the conventional sense. Their upbeat movies earn them contracts with Hollywood studios along with the devotion of film lovers. These accounts provide a sampling of the brand new breed of film reviewers.
Name: Juju Green
Age: 31
Followers: 3.4 million
Specialty: Easter eggs and crimson carpet interviews
Past Clients: Disney, Universal, Warner Bros., Paramount
Before TikTok: Worked as an promoting copywriter
Movie Hall of Fame: “Her” (2013)
Name: Maddi Koch
Age: 22
Followers: 3 million
Specialty: Movies you might need missed
Past Clients: Peacock, Hulu, Amazon Prime Video, Paramount+
Outside of TikTok: Studying finance at Virginia Tech
Movie Hall of Fame: “What Happened to Monday” (2017)
Name: Cameron Kozak
Age: 21
Followers: 1.5 million
Specialty: News and evaluation
Past Clients: A24, Neon, Peacock
Outside of TikTok: Studying movie manufacturing at Oakland University in Michigan
Movie Hall of Fame: “Whiplash” (2014)
Name: Monse Gutierrez
Age: 26
Followers: 1.4 million
Specialty: Horror
Past Clients: Neon, Amazon Prime Video
Before TikTok: Worked instead instructor
Movie Hall of Fame: “Pan’s Labyrinth” (2006)
Name: Joe Aragon
Age: 33
Followers: 931,000
Specialty: Monthly film guides
Past Clients: A24, Peacock, Apple, Lionsgate, Hulu
Before TikTok: Worked for an insurance coverage firm
Movie Hall of Fame: “Anything by David Fincher”
Name: Megan Cruz
Age: 34
Followers: 535,000
Specialty: Women filmmakers
Past Clients: Disney, Warner Bros.
Before TikTok: Worked in eating places
Movie Hall of Fame: “Jennifer’s Body” (2009)
Name: Bryan Lucious
Age: 31
Followers: 387,000
Specialty: Horror
Past Clients: A24, Sony Pictures, Hulu, MGM+, Peacock, Netflix
Outside of TikTok: Works for a tech firm
Movie Hall of Fame: “Twister” (1996)
Name: Seth Mullan-Feroze
Age: 24
Followers: 256,000
Specialty: Audience polls, artwork home and overseas cinema
Past Clients: Mubi, Lionsgate, StudioCanal, HBO
Outside of TikTok: Works as a web-based private coach
Movie Hall of Fame: “Persona” (1966)
Source: www.nytimes.com